When winter settles over the prairie, the world grows quiet in a way that feels almost like a held breath. The grasses bend under frost, the sky softens to muted blue, and the wind carries the dry scent of cold earth. This time of year has always nudged me inward, into my home, my studio, my making. And every season, without fail, my hands begin to move in rhythm with the land outside my window.
I’ve come to realize that my craft is seasonal not just in fiber choice, but in feeling. Each shift in the weather brings its own pace, its own palette, its own way of noticing. Stitch by stitch, the seasons shape how I design, how I create, and how I connect to the landscape that inspires me.
Winter: Soft Light and Slow Making
Early winter here in eastern South Dakota arrives with a quiet insistence. Days are short, light is low, and even the wind seems to move more deliberately. It’s a time for thicker yarns, deeper colors, and projects that ask to be held close: shawls that pool in your lap, cardigans that grow warm as you work them.
But beyond the fibers themselves, winter invites a slowness that I’ve learned to embrace. I find myself sketching more, revisiting old swatches, and letting ideas simmer before they become patterns. The stillness outside becomes a gentle permission to rest and reflect. Winter is where many of my designs begin, not in urgency, but in quiet clarity.
Shaina sits in her studio with yarn palettes based on the season and begins her sketches and swatches.
Spring: Light Returning
Spring on the prairie doesn’t rush. It arrives in small gestures, a thin edge of green on the horizon, a morning of birdsong after weeks of silence, the first warm day that makes you step outside just to feel the sun.
My making shifts with that returning light. Wools blend with lighter fibers. My color palette softens: prairie clay pinks, washed-out greens, and the soft neutrals that bridge winter to spring. The ideas that winter distilled begin to unfold. Pattern writing becomes a daily rhythm. Swatches turn into shapes.
Spring is a season of beginning again.
Longer days reveal themselves in lighter fiber choices, softer color palettes, a daily habit of pattern writing.
Summer: Breath & Play
By summer, the prairie is humming, not loud, but full. Wind moves through tall grasses like waves. Wildflowers dot the ditches. The days stretch long and generous.
Summer is the season where I let myself play. My studio table fills with linen, cotton blends, and airy laceweight yarns. Crochet often becomes my companion this time of year; its open structure and natural ease feel suited to warm evenings and unrushed hands.
In summer, making becomes lighter, looser, and more joyful. It’s when I explore color the most, especially the sun-washed shades that crop up in my capsule collections.
Explore color and pattern with the ebb and flow of the seasons.
Autumn: Gathering In
Autumn arrives quickly here, one day the fields are green; the next, they burn gold and rust. It’s a season of gathering: ideas, materials, and momentum.
My needles pick up speed as the air turns crisp. I shift back to wool, to texture, to cozy shapes that feel like a soft landing. Autumn is my most prolific season, the one that asks me to bring together everything I’ve observed throughout the year and begin forming it into cohesive collections.
It’s a season that feels like both a beginning and a return.
Color themes lead to sketches and swatches; here a mitten begins to take shape.
A Year in Rhythm
Living in the Midwest has taught me to pay attention, not just to the land, but to the small movements within myself as the seasons turn. My making is never separate from the place I live. It’s shaped by the frost on my window, the color of morning light, the grasses bending in the wind, the hush of snowfall, the long days of summer, and the familiar rhythm of change.
A return to winter reveals prairie grasses, frost, low light, and changing textures.
Stitching through the seasons has become my way of staying rooted—to the land, to my craft, and to the quiet beauty of everyday life. Each project becomes a reflection of not just what I’m creating, but when and where I’m creating it.
And in that rhythm, I’ve found a kind of home.